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Red Giant Shooter Suite Serial Number 2022. Red Giant Shooter Suite 13.2.12 Crack & Serial Key 2022 Free Download. PluralEyes 4 is so mind-blowingly good at automatic sync, you’ll wonder how you ever survived without it. That’s an exceptional deal for Adobe users, but FCPX fans who don’t need Offload will save a few bucks by purchasing the standalone version of PluralEyes instead.Īlthough the included plug-ins still cut Final Cut Pro users out of the picture, I consider Red Giant Shooter Suite 13 to be an essential post-production tool. Odd couple aside, if you own a previous version, the $99 upgrade is a no-brainer.īut here’s the thing: For new buyers of Shooter Suite, you’re effectively paying for PluralEyes and Offload, then getting $197 worth of plug-ins for free. To be honest, Instant 4K and Frames have always felt somewhat out of sync (pun intended) paired with PluralEyes and Offload, which are intended for prep instead of finishing. The final component is Frames, used to convert older NTSC or PAL content to true 24p (23.98) without interlacing, make sure colors are broadcast-safe, or add letterboxing for a cinematic look. Otherwise, Instant 4K does a bang-up job of upconverting standard-definition footage to HD or 4K using presets that provide higher quality results than After Effects alone. Only Adobe Premiere or After Effects CS3 and higher are supported. That’s something of a disappointment, because neither Final Cut Pro nor Motion can be used as host applications. The rest of the Shooter Suite 13 lineup is comprised of a pair of $99 post-processing plug-ins that remain largely untouched from previous versions. The dark, minimalist UI looks great, adding unity and tight integration with Offload, along with a ton of ways to spot-check audio waveforms against your footage without altering the original media. Media can also be dragged and dropped directly from the Finder, but this version does remove support for Avid Media Composer, which was frequently buggy. Unfortunately, there’s no such integration available for my favorite editing software, Final Cut Pro X, but thankfully you can still import an XML file into PE4, sync, and send it back to a new FCPX project. XML data can be imported to or from Adobe Premiere CC and Final Cut Pro X, or you can drag-and-drop raw footage directly into PluralEyes 4 to sync prior to editing. The software analyzes sound recorded on two or more cameras, then slides clips into rock-solid sync automatically, ready for editing. There’s simply nothing else like it on the market. I’ve reviewed this utility twice in the past for other publications, and the technology is nothing short of amazing. The simplicity of Offload spills over into PluralEyes 4, the only application in Shooter Suite 13 to get a complete overhaul, and what a wondrous change it is. Copies are compared against the original as they’re being processed to guarantee an exact duplicate has been made before the media is erased and reused. With Offload, it’s a simple matter of connecting a media source, selecting where you want to copy the files to, then choosing an optional second location as the backup. This software effectively replaces the former BulletProof, ditching the more comprehensive but often cumbersome user interface for a more streamlined solution. Although previous versions offered additional features-noise reduction plug-in Denoiser II and color utility LUT Buddy, which are now exclusive to Magic Bullet Suite ($799)-the current lineup focuses on four tools.įirst introduced in late 2014 and available separately for $99, Offload is a lightweight application used to copy and backup footage in the field, regardless of which camera, media type, or format it was shot with. As the name implies, Shooter Suite 13 ($399) is intended for users who need to ingest footage shot on location and prepare it for editing.
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